Jazz music heard at the Carnegie Hall, April 23, 1941.
THE GOLDEN AGE IS NOW (Part One): THE DANNY TOBIAS SEPTET with JON-ERIK
KELLSO, DAN BLOCK, STEVE ASH, FELIX LEMERLE, PAT O’LEARY, and KEVIN DORN
(Winnie’s Jazz Bar, 66 West 38th Street, New York, July 25, 2025)
-
My title isn’t hyperbole. I know, among jazz fans of a certain orientation,
that the Past is the hallowed place. “X is great, but have you heard Y on
this ...
Hace 9 horas
Chopin is still being turned into fertile material for jazz improvisation: I'm writing the notes for the Diva Jazz Trio's wonderful CD, NEVER NEVER LAND, featuring Sherrie Maricle, Tomoko Ohno, and Noriko Ueda, and they do a rewarding reinvention of a Chopin nocturne that keeps some of the original romanticism but adds a soft samba beat. Most engaging!
ResponderEliminarAnd thanks for Coltrane on Ben; like all the tenor players of that generation, Ben played a wide-open mouthpiece and kept his lower jaw very loose, which (along with native genius) produced that immense sound. Information courtesy of tenor player Sam Parkins, who also said that this way of playing requires enormous physical strength. Cheers! Michael
HOY DIA EL POSIBLEMENTE MEJOR MUSICO DE ARMONICA DEL MUNDO -SI NO CONTAMOS A TOOTS THIELEMANS- EL ESPAÑOL ANTONIO SERRANO, TOCA ALGUN TEMA DE CHOPIN EN JAZZ. SE LO HE OIDO RECIENTEMENE EN DIRECTO, EN MADRID.
ResponderEliminarUN AFECTUOSO SALUDO
JUAN JOSE GONZALEZ