Bunk Johnson on Buddy Bolden's band

"Now here is the list about that Jazz Playing. King Bolden and myself were the first men that began playing Jazz in the city of dear old New Orleans and his band had the whole of New Orleans Real Crazy and Running Wild behind it. Now that was all you could hear in New Orleans, that King Bolden's Band, and I was with him and that was between 1895 and 1896 and they did not have any dixie land Jazz Band in those days. Now here are the Bands that were in their prime in them days: Adam Olivier Band, John Robichaux, old Golden Rule, Bob Russell Band. Now that was all. And here is the thing that make King Bolden Band be the First Band that played Jazz. It was because it did not Read at all. I could fake like 500 myself; so you tell them that Bunk and King Bolden's Band was the first ones that started Jazz in the City or any place else. And now you are able to go now ahead with your Book."

Preface to Jazzmen (1939), edited by Frederic Ramsey Jr. and Charles Edward Smith, from a letter to the editors by Bunk Johnson

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"Aquí está la lista de esa música de jazz. King Bolden y yo fuimos los primeros que empezamos a tocar jazz en la vieja y querida ciudad de Nueva Orleans y su banda volvía loca y salvaje de verdad a toda Nueva Orleans. Esa banda de King Bolden es todo lo que se podía oír en Nueva Orleans y yo estuve con él entre 1895 y 1896 y no había ninguna banda de dixie land en aquellos días. Éstas son las bandas que estaban en la cumbre: la banda de Adam Olivier, John Robichaux, la Golden Rule y la banda de Bob Russell. Eso es todo. Y aquí está la causa por la que la de King Bolden fue la primera banda que tocó jazz: porque no éramos capaces en absoluto de leer. Yo podía improvisar unas 500; así que díganles que Bunk y la banda de King Bolden fueron los primeros que empezaron con el jazz en la Ciudad o en cualquier otro sitio. Y ahora ya pueden seguir con el libro."

Prólogo a Jazzmen (1939), editado por Frederic Ramsey Jr. y Charles Edward Smith, de una carta enviada por Bunk Johnson a los editores.

Jabbo Smith - Juan-les-Pins, 1979

Cladys 'Jabbo' Smith was one of the three members in the trumpet triumvirate of the late 1920s (Louis Armstrong -OKeh-, Henry 'Red' Allen -Victor- and himself -Brunswick-) but, in the 1930s, he moved to Milwaukee, which would be his home for many years, alternating with several returns to New York and the musical scene. Back in Milwaukee in the last 1940s, he married and raised two children while playing local gigs as a musician and working for Avis Rent-a-Car during the day.

Rehearsal recordings with Marty Grosz from Jun 3, 1961 were issued as Hidden Treasure on Jazz Art TR-520699/700 (and recently reissued on CD by Lone Hill Jazz), but his real comeback started in the late 1960s, when musicians, fans and record collectors were surprised to learn that the star of those great 1920s recordings was still alive. Smith successfully played with bands and shows in New York, New Orleans, Louisiana, London and France through the 1970s and into the 1980s. He appeared at the 1974 Newport Jazz Festival and four years later at the Village Gate and on tour with the off-Broadway show One Mo' Time.

Here's Jabbo Smith's band at the 1979 Juan-les-Pines Jazz Festival in France with Orange Kellin on clarinet, Waldren 'Frog' Joseph on trombone, Danny Barker on guitar, Lars Edegram on piano, Frank Fields on bass and John Robichaux on drums. This group had previously recorded on December 12, 1978, the album being issued as Jabbo! (Memories ME03). While, obviously, Jabbo is not at the height of his trumpet and vocal powers, he still can take the lead very solidly and play some real hot solos.