After moving to California in the early 1960s, Rex Stewart contributed jazz reviews regularly to the Los Angeles Times. This one was published on November 12, 1966 and was part of a series of reports on the European jazz scene.
“TALENT DESERVING WIDER RECOGNITION,” or WHEN HOT JAZZ and a SWING ERA BIG
BAND GOT MARRIED (1936-42)
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“TDWR” was the acronym DOWN BEAT used to hang on some creative individual
who wasn’t winning their polls, but who should have been. What that says
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